Panelled & Stone Kitchen — Valley Road, Mount Maunganui

Bone-painted panelling, a warm cream stone island and a window seat that turns out to be storage — a coastal-classic kitchen where most surfaces are quietly doing two jobs.

Cream panelled kitchen with a stone island, black stools and a tiled cooking wall

This one is coastal-classic rather than architectural. Bone-painted cabinetry in a fine vertical V-groove runs the length of the room, the same board profile carried onto the island end and around the window seat, so the joinery reads as one piece of furniture instead of three separate runs. Above it, a warm cream stone in soft veining takes the benchtops and mitres down the island in a waterfall. Pale Oak floors, warm white walls, a woven rattan pendant the size of a small tree, and eight black wishbone chairs around a solid Oak table. Kitchen and dining are one room and never pretend otherwise.

The island is where the two halves of the palette meet. Room-side it stays bone and stone, quiet enough to sit at. Turn the corner to the working side and the drawer fronts change to a mid-Walnut with the grain running horizontally, so the storage reads as warmth rather than as cupboards. Antique-brass bar pulls sit on the Walnut, the same brass returning as a gooseneck tap over the sink and again in the scullery beyond.

Behind the bench, a handmade-look square tile in warm cream runs the full height, its glaze uneven enough that no two tiles catch the light the same way. An Oak floating shelf crosses it at eye level with a concealed strip underneath, and that strip is what makes the wall work — it rakes across the tile at night and every small variation in the glaze turns up. Cookbooks, a mortar and pestle, a stoneware crock, a bowl of eggs. The shelf is styled because it is meant to be used.

The move that makes this kitchen, though, is the window seat. It is panelled like everything else, cushioned, and sits in the corner where the light comes in, and it looks like nothing but a bench. Push the panel and the entire seat front runs out on soft-close runners as one full-width drawer. Behind the kitchen the same thinking continues into the scullery: open Walnut shelving over a timber benchtop, a second sink, deep pan drawers, and a geometric tile floor that is allowed to be louder than anything out front. The good room stays calm because the working room takes the load.

Start your project

Planning something similar?